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the new life issue 2003
spiritual expressions
tai power seeff

Wonder

The northern summer sun was casting long shadows, making Stella feel very tall.

A farmer riding a John Deere lawnmower was just finishing up in the little graveyard of a white clapboard church. Stella thought he looked funny as he rode away, since all we could see was his head bobbing up and down behind the cornrows. I sat cross-legged in the shade thrown by the gravestone of Anne Marie Hanson: “Beloved Wife and Mother.” Stella twirled and leaped between the gravestones, humming a waltz and grass-staining her slippers.

I don’t think she’d ever even been to a graveyard before, and wasn’t yet conditioned to feel the morbidity of human bones. I told her that some people wouldn’t like her standing on the graves. “I’m not standing, I’m dancing! And that guy was driving all over them.”

Poor dead people, I thought. When you’re dead you can’t say anything to the irreverent little girl stirring up the dust that used to be you.

Perhaps forbidding ancestor worship wasn’t so smart after all. Stella skipped around a bit more, climbing over the gravestones and singing her clever mantra: “You are dead and I’m alive, you are old and I am five.” She pushed herself up onto a rectangular gravestone and straddled it like a balance beam. Squinting into the sun, she asked me why the flag has so many stars.

carlos rios

From light to dark

This image has been moved around in my body of work a number of times. It seems like it's a part of society and its constant changing culture. When I took this photograph it was to represent positive and spiritual expression, but as art mirrors culture, the significance of this photograph has been altered and taken on a whole new meaning.

The reflection seen in this work has a mild undertone of a dark cloud surrounding something sacred, lucidly symbolic of the troubles surrounding the Catholic Church. Its obscurity has taken on a new theme for a new time, not only giving this image new meaning, but my thoughts as well.

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